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Italian Horror, by Jim Harper
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ITALIAN HORRORS covers Italian horror films released between 1979 and 1994. Why those years? Well, primarily for convenience. They mark the release dates of Lucio Fulci's ZOMBIE, the film that instigated the last great wave of Italian horror, and Michele Soavi's DELLAMORTE DELLAMORE, the last great Italian horror film. After the release of Soavi's film, relatively few new Italian horror movies were made; the trend had run its course, and such films were no longer seen as commercially viable. The aim of this work is to guide the unfamiliar viewer to the best films of the period, while hopefully steering him or her away from the dross.
- Sales Rank: #2272283 in Books
- Published on: 2005-09
- Original language: English
- Dimensions: 9.00" h x .57" w x 6.00" l,
- Binding: Paperback
- 252 pages
Most helpful customer reviews
41 of 44 people found the following review helpful.
There are far better ways to spend $25
By M. Theologidis
If you're reading this then you are most likely a die-hard horror afficionado like myself. Of course any die hard fan already knows to some extent of Italy's incredibly diverse and prolific b-movie industry, the horror scene a pivotal part in it.
I'm sorry to say that Jim Harper's book falls terribly terribly short of the occasion. A monstrous disappointment, an altogether haphazard effort that barely even scratches the surface of the subject it purports to discuss and ignores arguably the best era of Italian horror. The early 70's. The book spans the period from Lucio Fulci's "Zombi 2" (1979) to Michele Shoavi's "Dellamorte Dellamore" (1994).
Why anyone setting out to create a convincing roadmap of the Italian underground scene would decide to completely omit the 60's and 70's, arguably the zenith of a genre that was quick to decline, mystifies me. What about the dozens of gialli that emerged in the early 70's? What about Dario Argento's 70's work, which includes (well known yes, but essential in any book about Italian horror) such gems as Profondo Rosso and Suspiria? What about master craftsman Sergio Martino, perhaps only second to Dario Argento in the giallo realm? What about second rate but competent genre directors like Aldo Lado, Duccio Tessari, or Pupi Avati? What about the godfather of Italian horror, maestro Mario Bava? It's Mario Bava we're talking about here, how can a book titled Italian Horror NOT feature extensive writeups on the man who almost single-handedly defined the genre? You guessed it, there's nothing of the above to be found here and "Italian Horror" immediately stops being an essential book on the subject right there and then.
What "Italian Horror" ends up offering instead is a series of reviews on schlocky psychotronic exploitation b-movies that span the 80's and early 90's. You're asking; couldn't I just read up on all these flicks on IMDB? Definitely. Is Harper's critical analysis so insightful as to warrant $25 despite all that? Absolutely not. Mr. Harper doesn't even seem to be a journalist, film scholar, or at least passionate fan. He lacks the eloquency, power of convinction, and capacity for subtextual analysis or at the very least the entertaining prose, to make his texts worth reading. IMDb reviewers write better. Simply put, at no point did I feel I was at the hands of a master.
To add insult to injury, Harper evinces no passion at all for the subject. Does the guy even LIKE Italian horror or is this simply a case of exploiting a bibliographic gap for a quick buck? Sure, no one claims Paganini Horror is a staggering masterpiece of modern cinema. Ratman will probably never be mentioned in the same breath as Citizen Kane and Metropolis and Fulci is a bit short of Tarkovsky and Bergman. But when you set out to write a book about all these things, surely there must have been something that attracted you to them in the first place. Harper's writing offers no clue as to what that "it" was.
I'm not arguing that most of the movies featured here aren't bad movies. No, but they still carry with them a psychotronic charm that makes us love them, despite (or perhaps because of) their obvious flaws. If you're ready to shell out $25 for a book about Italian horror, much less write one about it, that means you have already come to terms with their flaws and still love them.
Now the back cover reads "Italian Horror covers Italian horror films released between 1979 and 1994. Why those years? Well, primarily for convenience."
If you want convenience, then don't write a book. Good things come to those who try and frankly Harper didn't try hard enough to make this book worthwhile. I suggest taking a page from Stephen Thrower's massive tome "Nightmare USA", which offers a rich probing informative insight into American exploitation, and how well and in depth the subject matter is handled, not to mention all the photos, stills, posters, interviews, reviews and critical analysis. This pales by comparison. I mean, you're writing a book about Italian horror. How hard would it be to track down and interview Dario Argento, Ruggero Deodato, Michele Shoavi and Lamberto Bava while they're still alive?
Jim Harper offers nothing that can't be found on IMDB. At the exorbitant price of $25 for the relatively small size of the book (a little more than 200 pages), the poor handling of the subject matter and the altogether lackluster edition, I suggest waiting for the definitive book on Italian horror. This isn't it.
19 of 21 people found the following review helpful.
Terrible...
By William Lecklikner
This book is one of the worst I have ever read on ANY movie genre. I am a die hard horror fan, especially when it comes to Italian horror. But the author wrote this book as though he were not a fan of the genre. I liken it to reading reviews by someone like Roger Ebert when he id looking at the horror genre. These films ARE NOT trying to win Oscars. They are made for fans of blood and gore and sometimes a plot. Please do not waste your money on this book.
8 of 18 people found the following review helpful.
BRILLIANT LOOK AT AN OVERLOOKED HORROR GENRE
By Tim Janson
I'll admit I am no expert on Italian Horror films but as I read through Jim Harper's fantastic book, I was surprised at just how many of these films I had seen. I chalk that up to two things: First having a girlfriend in the 1980's (who is now my wife) who loved horror films, and second, having a number of drive-in movie theaters in my area which always made for a cheap date for a young guy on a budget.
Whether you are an Italian Horror aficionado or just a casual fan, you'll definitely enjoy Jim Harper's book because he IS an expert in the genre. Harper begins "Italian Horror" from Midnight Marquee Press, with a detailed history of the industry and it is a wonderful primer for fans of the genre. We learn about Italian horror pioneers like Mario Bava, Antonio Margheriti, Dario Argento, and Ovidio G. Assonitis. Heavily influenced by American films, these early Italian horrors quite often worked on themes presented previously in their American counterparts with takeoffs on movies like "The Exorcist" "The Omen", "Alien" and "The Amityville Horror". What many casual fans like myself recall about the Italian films were the sub-genres: Cannibal films, zombie films, slashers, and others. They ended up becoming their own cottage industry, building on what American directors like George Romero, Wes Craven, and John Carpenter created, and doing so on budgets so tiny they make "Halloween" look like "King Kong". As harper points out, American films typically had advertising budgets that were bigger than the budget of many Italian films!
While Harper goes back to the 1950's with his history, the main thrust of the book is Italy's peak period of horror from 1979 through 1994. Harper clues readers in on this rise and eventual fall of horror in Italy with American films helping to lead to the decline because they were simply cheaper for Italian TV networks to show than their native counterparts.
The bulk of the book is a nearly 200 page guide to Italian Horror featuring over 100 films complete with title (as well as any alternative title names), year of release, cast and major credits, synopsis, and Harper's critique of each film which is the major reason to buy this book. These films range from the Argento classics like "Inferno", "Opera", and "Tenebrae"; Lamberto Bava's "Demons"; and Lucio Fulci's "Zombie to bottom of the barrel stuff like "Hell of the Living Dead" and "Dawn of the Mummy".
I was pleasantly surprised by the inclusion of "Dellamorte Dellamore" which I didn't realize was an Italian film. You probably know this film by its American title "Cemetery Man" that is one of the most quirky and fascinating horror films I've ever seen and stars Rupert Everett.
"The Gates of Hell", "The Seven Doors of Death", "The Church"...they are all here in this great book. The book also features bios of the major Italian directors, screenwriters, and technicians and a comprehensive bibliography. Harper sheds the spotlight on a genre that has been overlooked, and often disregarded by critics. You'll have a great time tracking down some of these great films for your own viewing.
Reviewed by Tim Janson
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